G500Bi bi-colour COB light with the COB running
G Series

G300Bi / G500Bi

300 W and 500 W bi-colour COB built for studios and stages that run on a console — 53,000 lm, CRI>96, and DMX512 straight off 3-pin XLR.

300–500 WCOB output
53,000 lmMax luminous flux
DMX5123-pin XLR in / out
96 / 97CRI >96 · TLCI >97
G500Bi front three-quarter view, bare COB
G500Bi profile view, 29.5 cm body
G500Bi rear panel with cooling fan and connectors

Two outputs, one family

Same body, same mount, same console workflow — pick the output that fits the set.

The G300Bi and G500Bi were built for crews who light a different room every week. Both heads share the same rugged body, Bowens mount and DMX512 workflow, so a two-light kit behaves like one system — set your key with the 300 W and add the 500 W as a punchy backlight, or push it through a big source as the main light.

300 W version

G300Bi

Plenty of punch for portrait studios, interviews and small stages.

  • Output300 W
  • Luminous flux30,000 lm
  • Illuminance @1 m, bare7,350–10,400 lux
  • Weight2.05 kg
500 W version

G500Bi

More than double the output once the set gets big or the diffuser gets heavy.

  • Output500 W
  • Luminous flux53,000 lm
  • Illuminance @1 m, bare16,320–21,100 lux
  • Weight2.45 kg
G500Bi LCD panel and dimming knob

Control it your way

An LCD readout and one knob set power and colour temperature in seconds. Eight built-in effects cover lightning, TV flicker, flash and more, and a single key recalls your saved settings. Hand the whole rig over to a console whenever the shoot calls for it.

Rigging a lantern softbox onto a G500Bi

Rig it, shape it, shoot

Bowens mount and umbrella slot on every G head, so the lanterns, softboxes and grids you already own go straight on. That is also when the 500 W version earns its keep — a big diffuser eats output, and you still want f/8.

CRI and TLCI comparison under Golden Eagle light

Colour you can trust

CRI>96 and TLCI>97 across the whole colour temperature range. Skin tones stay natural, product colours stay true, and the grade holds up take after take.

That consistency comes from a tightly binned COB engine and drivers that hold output stable across the full 0–100% dimming range — no colour shift as you dim, no surprises when you cut from take one to take forty.

G series lights working on an interior set

On set, not only in the studio

Stepless 0–100% dimming and a 2700–6500 K range that tracks the room — the same head covers a lit interior, a night exterior and a stage grid.

Built for the Bowens ecosystem

Standard Bowens mount and umbrella slot — pair the G series with the full Golden Eagle light-shaper range.

G300Bi / G500Bi
SpecificationG300BiG500Bi
Output Power300 W500 W
Dimming Range0–100%0–100%
CCT2700–6500 K2700–6500 K
CRI / TLCI>96 / >97>96 / >97
Luminous Flux30,000 lm53,000 lm
Illuminance @1 m (no reflector)2700 K: 7,350 lux
3200 K: 8,250 lux
4300 K: 8,850 lux
5600 K: 10,400 lux
6500 K: 10,000 lux
2700 K: 16,320 lux
3200 K: 17,660 lux
4300 K: 20,000 lux
5600 K: 21,100 lux
6500 K: 19,900 lux
Lighting FX88
ControlDMX / Knob / APPDMX / Knob / APP
DMX Interface3-pin XLR (M/F)3-pin XLR (M/F)
Weight2.05 kg2.45 kg
Dimensions (L×W×H)29.5×15×17 cm29.5×15×17 cm
What's in the boxLight ×1, 5 m Power cable ×1 — without bag version
Light ×1, Reflector ×1, 5 m Power cable ×1, Carrying bag ×1 — with bag version

DMX512 on board

3-pin XLR (M/F) in and out, with the CCT profile available in 2- or 3-channel mode.

CCT 8Bit — 2 ch

ChannelDMX value%Function
10–2550–100%Brightness 0–100%
20–2550–100%CCT 2700–6500 K

CCT 8Bit — 3 ch

ChannelDMX value%Function
10–2550–100%Brightness 0–100%
20–2550–100%CCT 2700–6500 K
30–550–21.5%Strobe OFF
356–25521.9–100%Variable strobe 0.5 → 20 Hz

Download manual (PDF)G 300Bi / G500Bi · free download